Why does the humble usb cable make such a difference to sound quality in a computer-based audio system?
Australian audiophile Rob Woodland spent 12 months examining every aspect of usb cable design
- from an "audio" point of view.
What does it take to create a better sounding cable?
But who would have thought it possible to improve the performance in audiophile parameters such as dynamics, tightness, focus, and articulation (to name just a few) while retaining all the fluidity, flow, and musical engagement by using a different USB cable? I certainly did not. But there you go.
Here is a USB cable that works wonders in three very different systems. Well done Curious Cables!
Rob Woodland discusses "dimension" in usb cables